Best of 2017, picture by picture, the 8 black and white

best of 2017, the black and white winners

My thoughts and some technical background information about the eight black and white photographs that survived the “best of 2017” selection process described in an earlier post.

Image 1, image 2 and image 3 were all taken in a similar location, in the north western part of Switzerland. Hand-held with the Nikon J1, all at base ISO of 100 and shutterspeed > 1/360. Subsequently converted to B&W with Silver Efex Pro, then cropped and sharpened in Adobe LR. The entire Nik collection is available for free from Google as of Feb 2018. However, Google sold the software, so the days of a free download might be over soon

Image 1

I like the interlude between the different silouettes in this image, some man-made and others natural, In addition, if you zoom into the image you will notice the sunlight on one person’s face – that just adds to the magic of it. This was an easy choice!

Image 2

Abstracted to two vertical lines which seem to be talking to each other. The little tree carefully taking side with the actor on the right. The slight slope on the left puts one actor into a slightly different position in this discussion. Also an easy choice for me for the final list.

Image 3

First a straight journey towards the horizon, then a left turn and an unkown ending. It is up to your imagination where the path will lead to. The tree on the right as the silent observer of the path’ journey?

Image 4

Nikon J1, handheld at base ISO 100. Livorno in Italy, remnants of a glorious (and sometimes not so glorious) past. Normally, I don’t like pictures with a blown-out sky, but in this case the pure white of the sky contrasts the moldy and murky quay and water very well. I also like how the eye is guided from the left side of the frame to follow the buildings and the water into the distance.

Image 5

iPhone 6+. Walking to a coffee shop for a much needed morning dose of caffeine stimulans, I spotted these tiles. The line of my shadow matches the lines between the tiles well, and the wide gradation of greys adds to the attraction of this picture.

Image 6

The white water terraces in Yunnan, China. I like the white foreground contrasting with the dark trees and the more neutral background. I was struggling for a while whether to include a color or a B&W in my final list, ultimately went for the B&W for the reasons mentioned above.

Image 7

Another iPhone 6+ photo taken from a cable car gondola, so I guess it qualifies as an “aerial” photograph. It’s an intersection of two dirt roads. Converted to black and white in Silver Efex Pro, then cropped and added the vignette to emphasise the “white structure”. Maybe I’m reading too much science fiction recently, but the structure clearly inspires space ship designs…

Image 8

Marina Barrage in Singapore, taken with the DJI Phantom 3 Professional (the drone was inside allowed flying zone….);  captured in Adobe DNG, to give me a little more wiggle room for post processing. Lawn, concrete, water. I like the juxtaposition of the different patterns, horizontal waves on the right, the horizontal/vertical in the middle and the apparent chaos of the lawn.



Best of 2017

my top 16

I took inspiration from Martin Bailey’s annual “top ten” process to go through all my 2017 pictures and choose the best ones. I decided to select a total of 16, eight in black an white and eight in colour.

selection process

I organize all photos and videos in Adobe Lightroom for a number of years already. So it is the easiest was to do this journey in Lightroom.

  1. choose all pictures taken in 2017. Total # of frames 1340. The total count in LR was 1500, the difference is made up by pictures taken by other people that I store with permission (eg a purchase)
  2. exclude all “holiday snap shots”, selfies and the like. This reduced the selection to about 200
  3. remove photos which are “nice to look at” (whatever that means…), but have some other flaws. For instance, disturbing elements that I didn’t want or cannot remove.. This got me down to app 55 frames.These are the 55 chosen ones at step 3:
  4. Then it got difficult. First, I removed either the BW or the Color pictures for those where I kept both in the 55 list above. That got me down to about 30.
  5. Then I removed photos where the initial “yes” turned out to be more of a “wow that was a great filter effect”. Down to about 24.
  6. Then it got really, really difficult. I removed those which I thought just don’t have any “umpf” for me. Down to 18.
  7. Then I asked my two trusted in-house experts for their choice, i.e. they helped me to eliminate two more.
    AND HERE WE ARE – THE FINAL 16

oooofff, that was really, really, really difficult and such a pleasure to do!

I will go through each image in detail in a few separate blog posts, providing some thoughts about each image and some technical considerations (camera, settings, post processing)



 

Desert Trekking in China

June 2016, we trekked seventy kilometres through the Badain Jaran, which is part of the Gobi desert in China.

The executive summary:

phase one: Singapore –> Hong Kong –> Beijing –> Jinchang –> Alxa Youqin

phase two: walk, sand, camels, sand, fun, wind, sand, tents, sand, lake, sand, watermelons, sand, yoghurts and sand

phase three: the reverse of phase one


A 90 seconds, high level, executive, condensed, highlights-only, key summary video in HD of our trek is on

youtube_2

 

please subscribe to my channel after you watch the movie – thank you.


I particularly like this desert portrait of Tim (who else….). The original is in color. I decided to convert it with Silver Efex Pro 2 (free plug-in from Google) to black and white, which accentuates the clouds nicely and the dunes’ shapes form such a perfect leading line to the model. Furthermore, the little cloud seemingly guarding over Tim acts like a gigantic flash light helping him to light-up his selfie.

the_selfie


The B&W pictures in the gallery were processed with Nik Colour Efex Pro 2 and Adobe Lightroom. For the pixel peepers: you will notice lots and lots of spots, especially in the darker areas of the pictures. Even though spot removal in Lightroom works well, removing hundreds of them is a lot of work. Lesson learnt: next time get the sensor cleaned before going on a trip.

Kuhltour statt Wandertour

Aaaaaaaaaaaalso: da kommt einer aus den Tropen, reist von weit weit her, sitzt 13 Stunden im Flugzeug und freut sich darauf, in nasskaltem Wetter mit seinen Freunden in der Schweiz outdoor-maessig etwas zu unternehmen. Schifahren in strahlendem Sonnenschein auf dem Feldberg ist genau nach seinem Geschmack (ein Danke an die SPPs), siehe HIER.

Aber oh weh: ein paar Tage spaeter nieselt’s ein wenig, die Temperatur faellt auf ca 10 Grad und schon sind alle Vorsaetze, “the tallest mountain in Baselland” in einer Winterbesteigung zu erklimmen, Makulatur: meine Berg- und Kanu-erprobten Freunde (ebenfalls die SPPs) sprechen von Lawinengefahr, geschlossenen Restaurants und zitieren gar (wahrscheinlich völlig frei erfundene) Einheimische, welche dringend von der Besteigung abrieten.


Dann eben Kultur: Colmar lockt mit Flamekueche, Altstadt und einem Herzog & de Meuron Bau (bald werden HdM-freie Schutzzonen in Zentral-Europa erstellt werden muessen, so von wegen Diversity…)


Colmar ist sympatisch: Rauchen kann toedlich sein ? (Schaufenster einer Apotheke)

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Lord Sidius in weiss trauert um Jesus?

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Frueher war nicht alles besser, aber die Replantations-Chirurgen von anno dazumal hatten echt ‘was drauf…

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Direkt von der HdM www: … The project for the extension of the Unterlinden Museum in Colmar encompasses three dimensions: urban development, architecture and museography. It centers on the issues of reconstruction, simulation and integration….

comment by jrbc: if you don’t understand this artsy-fartsy baloney, don’t worry, you are not alone…




Alle Bilder (c)2016 www.jrbc.net; Nikon Df und NIKKOR 20mm f/2.8 oder NIKKOR 50mm f/1.4 (so Hipster-Zeugs eben)